RACA
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Rock Art Center Addition
Petroglyph Visitor Trail Night

Rock Art Center Addition

Perspective of the desert wash landscape with visitor trail in front of the glowing RACA gallery extension at nightPerspective of the desert wash landscape with visitor trail in front of the glowing RACA gallery extension at nightPerspective of the desert wash landscape with visitor trail in front of the glowing RACA gallery extension at nightPerspective of the desert wash landscape with visitor trail in front of the glowing RACA gallery extension at night
Perspective of the desert wash landscape with visitor trail in front of the glowing RACA gallery extension at night

The existence of art without authors is a spectacle at odds with the contemporary world. Wandering without facts.

Perspective of the desert wash landscape with visitor trail in front of the glowing RACA gallery extension at night

Perspectives

Landscape

Institutional

RELATED RESEARCH IMAGES

RELATED PROJECT IMAGES

Exterior perspective of the RACA gallery opening up to the desert landscape for a nighttime performanceExterior perspective of the RACA gallery opening up to the desert landscape for a nighttime performanceExterior perspective of the RACA gallery opening up to the desert landscape for a nighttime performanceExterior perspective of the RACA gallery opening up to the desert landscape for a nighttime performance
Perspective of the front entry to the RACA gallery at night showing the upper viewing deck and the structural logicPerspective of the front entry to the RACA gallery at night showing the upper viewing deck and the structural logicPerspective of the front entry to the RACA gallery at night showing the upper viewing deck and the structural logicPerspective of the front entry to the RACA gallery at night showing the upper viewing deck and the structural logic
Satellite image of the RACA site illustrating the city of Phoenix as a landscape of carved symbolsSatellite image of the RACA site illustrating the city of Phoenix as a landscape of carved symbolsSatellite image of the RACA site illustrating the city of Phoenix as a landscape of carved symbolsSatellite image of the RACA site illustrating the city of Phoenix as a landscape of carved symbols
Perspective looking at attached visitor path along the top of the RACA gallery for public participation in leaving carvingsPerspective looking at attached visitor path along the top of the RACA gallery for public participation in leaving carvingsPerspective looking at attached visitor path along the top of the RACA gallery for public participation in leaving carvingsPerspective looking at attached visitor path along the top of the RACA gallery for public participation in leaving carvings
Series of sketch studies of the extended RACA gallery spaces spreading into the landscape from the central washSeries of sketch studies of the extended RACA gallery spaces spreading into the landscape from the central washSeries of sketch studies of the extended RACA gallery spaces spreading into the landscape from the central washSeries of sketch studies of the extended RACA gallery spaces spreading into the landscape from the central wash
Exploded diagram of the RACA gallery showing the lower gallery spaces, the viewing deck, and the upper cladding systemExploded diagram of the RACA gallery showing the lower gallery spaces, the viewing deck, and the upper cladding systemExploded diagram of the RACA gallery showing the lower gallery spaces, the viewing deck, and the upper cladding systemExploded diagram of the RACA gallery showing the lower gallery spaces, the viewing deck, and the upper cladding system
Concept sketch studying the relationship between the structure, the gallery, and the external path of the RACA additionConcept sketch studying the relationship between the structure, the gallery, and the external path of the RACA additionConcept sketch studying the relationship between the structure, the gallery, and the external path of the RACA additionConcept sketch studying the relationship between the structure, the gallery, and the external path of the RACA addition
Site plan illustration showing the encroaching relationship between the adjacent community and the petroglyph RACA siteSite plan illustration showing the encroaching relationship between the adjacent community and the petroglyph RACA siteSite plan illustration showing the encroaching relationship between the adjacent community and the petroglyph RACA siteSite plan illustration showing the encroaching relationship between the adjacent community and the petroglyph RACA site
Series of study sketches of a RACA gallery that slopes toward the desert landscape and shields from the adjacent suburbsSeries of study sketches of a RACA gallery that slopes toward the desert landscape and shields from the adjacent suburbsSeries of study sketches of a RACA gallery that slopes toward the desert landscape and shields from the adjacent suburbsSeries of study sketches of a RACA gallery that slopes toward the desert landscape and shields from the adjacent suburbs
Study model of a floating RACA gallery mass floating above the existing visitor center with a skin made of shifting symbolsStudy model of a floating RACA gallery mass floating above the existing visitor center with a skin made of shifting symbolsStudy model of a floating RACA gallery mass floating above the existing visitor center with a skin made of shifting symbolsStudy model of a floating RACA gallery mass floating above the existing visitor center with a skin made of shifting symbols
Perspective of the wash between the RACA addition and the petroglyph mound and trailPerspective of the wash between the RACA addition and the petroglyph mound and trailPerspective of the wash between the RACA addition and the petroglyph mound and trailPerspective of the wash between the RACA addition and the petroglyph mound and trail
Animation of the various layers of structural logics and visitor paths through the new RACA gallery and studio additionAnimation of the various layers of structural logics and visitor paths through the new RACA gallery and studio additionAnimation of the various layers of structural logics and visitor paths through the new RACA gallery and studio additionAnimation of the various layers of structural logics and visitor paths through the new RACA gallery and studio addition
Perspective of the main interior gallery space of the RACA addition with layered panels sloping to the desert landscapePerspective of the main interior gallery space of the RACA addition with layered panels sloping to the desert landscapePerspective of the main interior gallery space of the RACA addition with layered panels sloping to the desert landscapePerspective of the main interior gallery space of the RACA addition with layered panels sloping to the desert landscape

OTHER PROJECTS

University Island is a swirling shapeshifter, in both the landscape and the architecture, that offers it’s undefined field of opportunities to the students and anticipates that each will discover and produce their own individual relationship with the island and their education.
Space has become redundant again. Popular culture is uninterested in the goings-on in space. Once achieved, mans absurd relation with space becomes yesterdays news. To become relevant to the public, CASIS must be an amenity and not a mission. Instead of promoting an HQ, make it a public interface.
In Tempe there are two pedestrian axes: Mill Avenue and Palm Walk. Mill Avenue is successful and Palm Walk is not. Is there a way to make the palm trees useful to the students? The PEP structure is powered by buried hydraulic pressure systems giving vertical movement to the layer/palm interface.
The RACA project must meet two demands: A. REFLECTION (museum) or B. CONTINUATION (practice + addition). The current program and its stagnancy has left the site forgotten—it is a typical static museum on a living site. The site and addition must constantly change through the participation of people.
Infrastructure as urban performance. Serving as both a backdrop to elegant theatrical dances and a framework for holding a wandering public, the Dance Machine enacts performance through both its program and its existence as a merged urban extension of the Queensboro Bridge.
The YELE music studio competition, underway before the earthquake, must respond now, but plan for the future of the community. Music is relief in a time of tragedy. The goal is to meet the most basic survival needs now while leaving spaces for future growth through self sustaining phases.
The challenge of creating a pair of studio apartments that can fill a lifted 16'x16' void necessitates the creation of a quick, mobile, and opportunistic building system that can react to the found conditions of the site. Access to the site is limited and the ground must be free.
Planes, frames, and volumes are fundamentals to all assembly logics. With the proliferation of additive production methods, the possibility of volumetric prefabricated components has the potential to radically alter the way that we conceive of construction and the permanence of building parts.

OTHER RESEARCH