RACA
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Rock Art Center Addition
Programmatic Section Sketch

Rock Art Center Addition

Concept sketch studying the relationship between the structure, the gallery, and the external path of the RACA additionConcept sketch studying the relationship between the structure, the gallery, and the external path of the RACA additionConcept sketch studying the relationship between the structure, the gallery, and the external path of the RACA additionConcept sketch studying the relationship between the structure, the gallery, and the external path of the RACA addition
Concept sketch studying the relationship between the structure, the gallery, and the external path of the RACA addition

A reminder of the immortality of time: what we will never know and what we leave behind for others to reflect on.

Concept sketch studying the relationship between the structure, the gallery, and the external path of the RACA addition

Concepts

Sketches

Sections

Institutional

RELATED RESEARCH IMAGES

RELATED PROJECT IMAGES

Animation of the various layers of structural logics and visitor paths through the new RACA gallery and studio additionAnimation of the various layers of structural logics and visitor paths through the new RACA gallery and studio additionAnimation of the various layers of structural logics and visitor paths through the new RACA gallery and studio additionAnimation of the various layers of structural logics and visitor paths through the new RACA gallery and studio addition
Series of study sketches of a RACA gallery that slopes toward the desert landscape and shields from the adjacent suburbsSeries of study sketches of a RACA gallery that slopes toward the desert landscape and shields from the adjacent suburbsSeries of study sketches of a RACA gallery that slopes toward the desert landscape and shields from the adjacent suburbsSeries of study sketches of a RACA gallery that slopes toward the desert landscape and shields from the adjacent suburbs
Study model of a floating RACA gallery mass floating above the existing visitor center with a skin made of shifting symbolsStudy model of a floating RACA gallery mass floating above the existing visitor center with a skin made of shifting symbolsStudy model of a floating RACA gallery mass floating above the existing visitor center with a skin made of shifting symbolsStudy model of a floating RACA gallery mass floating above the existing visitor center with a skin made of shifting symbols
Site plan illustration showing the encroaching relationship between the adjacent community and the petroglyph RACA siteSite plan illustration showing the encroaching relationship between the adjacent community and the petroglyph RACA siteSite plan illustration showing the encroaching relationship between the adjacent community and the petroglyph RACA siteSite plan illustration showing the encroaching relationship between the adjacent community and the petroglyph RACA site
Perspective looking at attached visitor path along the top of the RACA gallery for public participation in leaving carvingsPerspective looking at attached visitor path along the top of the RACA gallery for public participation in leaving carvingsPerspective looking at attached visitor path along the top of the RACA gallery for public participation in leaving carvingsPerspective looking at attached visitor path along the top of the RACA gallery for public participation in leaving carvings
Perspective of the wash between the RACA addition and the petroglyph mound and trailPerspective of the wash between the RACA addition and the petroglyph mound and trailPerspective of the wash between the RACA addition and the petroglyph mound and trailPerspective of the wash between the RACA addition and the petroglyph mound and trail
Exploded diagram of the RACA gallery showing the lower gallery spaces, the viewing deck, and the upper cladding systemExploded diagram of the RACA gallery showing the lower gallery spaces, the viewing deck, and the upper cladding systemExploded diagram of the RACA gallery showing the lower gallery spaces, the viewing deck, and the upper cladding systemExploded diagram of the RACA gallery showing the lower gallery spaces, the viewing deck, and the upper cladding system
Perspective of the front entry to the RACA gallery at night showing the upper viewing deck and the structural logicPerspective of the front entry to the RACA gallery at night showing the upper viewing deck and the structural logicPerspective of the front entry to the RACA gallery at night showing the upper viewing deck and the structural logicPerspective of the front entry to the RACA gallery at night showing the upper viewing deck and the structural logic
Exterior perspective of the RACA gallery opening up to the desert landscape for a nighttime performanceExterior perspective of the RACA gallery opening up to the desert landscape for a nighttime performanceExterior perspective of the RACA gallery opening up to the desert landscape for a nighttime performanceExterior perspective of the RACA gallery opening up to the desert landscape for a nighttime performance
Perspective of the main interior gallery space of the RACA addition with layered panels sloping to the desert landscapePerspective of the main interior gallery space of the RACA addition with layered panels sloping to the desert landscapePerspective of the main interior gallery space of the RACA addition with layered panels sloping to the desert landscapePerspective of the main interior gallery space of the RACA addition with layered panels sloping to the desert landscape
Satellite image of the RACA site illustrating the city of Phoenix as a landscape of carved symbolsSatellite image of the RACA site illustrating the city of Phoenix as a landscape of carved symbolsSatellite image of the RACA site illustrating the city of Phoenix as a landscape of carved symbolsSatellite image of the RACA site illustrating the city of Phoenix as a landscape of carved symbols
Perspective of the desert wash landscape with visitor trail in front of the glowing RACA gallery extension at nightPerspective of the desert wash landscape with visitor trail in front of the glowing RACA gallery extension at nightPerspective of the desert wash landscape with visitor trail in front of the glowing RACA gallery extension at nightPerspective of the desert wash landscape with visitor trail in front of the glowing RACA gallery extension at night
Series of sketch studies of the extended RACA gallery spaces spreading into the landscape from the central washSeries of sketch studies of the extended RACA gallery spaces spreading into the landscape from the central washSeries of sketch studies of the extended RACA gallery spaces spreading into the landscape from the central washSeries of sketch studies of the extended RACA gallery spaces spreading into the landscape from the central wash

OTHER PROJECTS

Coney Island will remain a MUTANT appendage at the farthest shore of New York City. Coney is an agglomeration of all of its histories and should continue to simultaneously move each agenda forward. Coney will continue to evolve through mutations— this vision will accelerate its hybridity.
In Tempe there are two pedestrian axes: Mill Avenue and Palm Walk. Mill Avenue is successful and Palm Walk is not. Is there a way to make the palm trees useful to the students? The PEP structure is powered by buried hydraulic pressure systems giving vertical movement to the layer/palm interface.
University Island is a swirling shapeshifter, in both the landscape and the architecture, that offers it’s undefined field of opportunities to the students and anticipates that each will discover and produce their own individual relationship with the island and their education.
The Miami Beach House is constructed as a series of platformed spaces that continuously step upward within a tropically climatized shell. Continuing the structural experiments of the Metabolist movement, thirteen modular concrete platforms branch from two vertical cores.
The Craft School is a participatory design and construction initiative that places students at the center of creating their own learning environment. It recognizes that education is not only about what happens inside the classroom, but also how the classroom comes to be.
Bathaus is a small hybrid building that expands the visitor center at the Gropius House while simultaneously functioning as an ecologically sensitive bat sanctuary. Integrated directly into the architecture, a series of vertical slot bat habitats are carved into the façade and form.
The CART live/work housing prototype adds a vertical profile to downtown while converting an underutilized public path into an urban gesture by introducing of a specialized food cart zone in New Haven. The CART residents would rent and appropriate the moving space as a means of expanding their zone.
Infrastructure as urban performance. Serving as both a backdrop to elegant theatrical dances and a framework for holding a wandering public, the Dance Machine enacts performance through both its program and its existence as a merged urban extension of the Queensboro Bridge.

OTHER RESEARCH