RACA
Rock Art Center Addition
Phoenix Aerial as Petroglyphs

Rock Art Center Addition

Satellite image of the RACA site illustrating the city of Phoenix as a landscape of carved symbolsSatellite image of the RACA site illustrating the city of Phoenix as a landscape of carved symbolsSatellite image of the RACA site illustrating the city of Phoenix as a landscape of carved symbolsSatellite image of the RACA site illustrating the city of Phoenix as a landscape of carved symbols

RELATED RESEARCH IMAGES

RELATED PROJECT IMAGES

Exploded diagram of the RACA gallery showing the lower gallery spaces, the viewing deck, and the upper cladding systemExploded diagram of the RACA gallery showing the lower gallery spaces, the viewing deck, and the upper cladding systemExploded diagram of the RACA gallery showing the lower gallery spaces, the viewing deck, and the upper cladding systemExploded diagram of the RACA gallery showing the lower gallery spaces, the viewing deck, and the upper cladding system
Perspective of the desert wash landscape with visitor trail in front of the glowing RACA gallery extension at nightPerspective of the desert wash landscape with visitor trail in front of the glowing RACA gallery extension at nightPerspective of the desert wash landscape with visitor trail in front of the glowing RACA gallery extension at nightPerspective of the desert wash landscape with visitor trail in front of the glowing RACA gallery extension at night
Perspective looking at attached visitor path along the top of the RACA gallery for public participation in leaving carvingsPerspective looking at attached visitor path along the top of the RACA gallery for public participation in leaving carvingsPerspective looking at attached visitor path along the top of the RACA gallery for public participation in leaving carvingsPerspective looking at attached visitor path along the top of the RACA gallery for public participation in leaving carvings
Animation of the various layers of structural logics and visitor paths through the new RACA gallery and studio additionAnimation of the various layers of structural logics and visitor paths through the new RACA gallery and studio additionAnimation of the various layers of structural logics and visitor paths through the new RACA gallery and studio additionAnimation of the various layers of structural logics and visitor paths through the new RACA gallery and studio addition
Series of sketch studies of the extended RACA gallery spaces spreading into the landscape from the central washSeries of sketch studies of the extended RACA gallery spaces spreading into the landscape from the central washSeries of sketch studies of the extended RACA gallery spaces spreading into the landscape from the central washSeries of sketch studies of the extended RACA gallery spaces spreading into the landscape from the central wash
Perspective of the front entry to the RACA gallery at night showing the upper viewing deck and the structural logicPerspective of the front entry to the RACA gallery at night showing the upper viewing deck and the structural logicPerspective of the front entry to the RACA gallery at night showing the upper viewing deck and the structural logicPerspective of the front entry to the RACA gallery at night showing the upper viewing deck and the structural logic
Site plan illustration showing the encroaching relationship between the adjacent community and the petroglyph RACA siteSite plan illustration showing the encroaching relationship between the adjacent community and the petroglyph RACA siteSite plan illustration showing the encroaching relationship between the adjacent community and the petroglyph RACA siteSite plan illustration showing the encroaching relationship between the adjacent community and the petroglyph RACA site
Perspective of the wash between the RACA addition and the petroglyph mound and trailPerspective of the wash between the RACA addition and the petroglyph mound and trailPerspective of the wash between the RACA addition and the petroglyph mound and trailPerspective of the wash between the RACA addition and the petroglyph mound and trail
Perspective of the main interior gallery space of the RACA addition with layered panels sloping to the desert landscapePerspective of the main interior gallery space of the RACA addition with layered panels sloping to the desert landscapePerspective of the main interior gallery space of the RACA addition with layered panels sloping to the desert landscapePerspective of the main interior gallery space of the RACA addition with layered panels sloping to the desert landscape
Exterior perspective of the RACA gallery opening up to the desert landscape for a nighttime performanceExterior perspective of the RACA gallery opening up to the desert landscape for a nighttime performanceExterior perspective of the RACA gallery opening up to the desert landscape for a nighttime performanceExterior perspective of the RACA gallery opening up to the desert landscape for a nighttime performance
Series of study sketches of a RACA gallery that slopes toward the desert landscape and shields from the adjacent suburbsSeries of study sketches of a RACA gallery that slopes toward the desert landscape and shields from the adjacent suburbsSeries of study sketches of a RACA gallery that slopes toward the desert landscape and shields from the adjacent suburbsSeries of study sketches of a RACA gallery that slopes toward the desert landscape and shields from the adjacent suburbs
Concept sketch studying the relationship between the structure, the gallery, and the external path of the RACA additionConcept sketch studying the relationship between the structure, the gallery, and the external path of the RACA additionConcept sketch studying the relationship between the structure, the gallery, and the external path of the RACA additionConcept sketch studying the relationship between the structure, the gallery, and the external path of the RACA addition
Study model of a floating RACA gallery mass floating above the existing visitor center with a skin made of shifting symbolsStudy model of a floating RACA gallery mass floating above the existing visitor center with a skin made of shifting symbolsStudy model of a floating RACA gallery mass floating above the existing visitor center with a skin made of shifting symbolsStudy model of a floating RACA gallery mass floating above the existing visitor center with a skin made of shifting symbols

OTHER PROJECTS

The YELE music studio competition, underway before the earthquake, must respond now, but plan for the future of the community. Music is relief in a time of tragedy. The goal is to meet the most basic survival needs now while leaving spaces for future growth through self sustaining phases.
The GBN project sites itself as this link connecting the busiest night life district and revitalized neighborhood park in the north, the largest beach front in the city to the south, and establishes the cities first large public plaza and recreation fields adjacent to the new building.
Coney Island will remain a MUTANT appendage at the farthest shore of New York City. Coney is an agglomeration of all of its histories and should continue to simultaneously move each agenda forward. Coney will continue to evolve through mutations— this vision will accelerate its hybridity.
Infrastructure as urban performance. Serving as both a backdrop to elegant theatrical dances and a framework for holding a wandering public, the Dance Machine enacts performance through both its program and its existence as a merged urban extension of the Queensboro Bridge.
Seeing Park Avenue as an underutilized zone that connects four vibrant neighborhoods from 42nd Street to 144th Street, Infrastructural Infill is a study testing the potential to locate a combination of mixed-use housing and transportation in the residual spaces caused by urban infrastructure.
In Tempe there are two pedestrian axes: Mill Avenue and Palm Walk. Mill Avenue is successful and Palm Walk is not. Is there a way to make the palm trees useful to the students? The PEP structure is powered by buried hydraulic pressure systems giving vertical movement to the layer/palm interface.
QTCT is tasked to blend these two identities onto one site—a give and take relationship between beach ambitions and urban necessities. QTCT is a sampling of two worlds: on one hand it is the embodiment of the language of the beach and on the other it is a detailed and exacting built urban space.
The challenge of creating a pair of studio apartments that can fill a lifted 16'x16' void necessitates the creation of a quick, mobile, and opportunistic building system that can react to the found conditions of the site. Access to the site is limited and the ground must be free.

OTHER RESEARCH