DM
Dance Machine
Intersection Aerial Massing

Dance Machine

Perspective of the DM performance massing attached to the Queensboro bridge viewed from above the street intersectionPerspective of the DM performance massing attached to the Queensboro bridge viewed from above the street intersectionPerspective of the DM performance massing attached to the Queensboro bridge viewed from above the street intersectionPerspective of the DM performance massing attached to the Queensboro bridge viewed from above the street intersection

RELATED RESEARCH IMAGES

RELATED PROJECT IMAGES

Initial concept sketch for distributing the various studio and theatre programs of the DM performance centerInitial concept sketch for distributing the various studio and theatre programs of the DM performance centerInitial concept sketch for distributing the various studio and theatre programs of the DM performance centerInitial concept sketch for distributing the various studio and theatre programs of the DM performance center
Long section perspective of the main DM performance hall with studio spaces, lower facilities and upper stageLong section perspective of the main DM performance hall with studio spaces, lower facilities and upper stageLong section perspective of the main DM performance hall with studio spaces, lower facilities and upper stageLong section perspective of the main DM performance hall with studio spaces, lower facilities and upper stage
Perspective of the DM dance center from the street intersection showing the construction merging with the Queensboro BridgePerspective of the DM dance center from the street intersection showing the construction merging with the Queensboro BridgePerspective of the DM dance center from the street intersection showing the construction merging with the Queensboro BridgePerspective of the DM dance center from the street intersection showing the construction merging with the Queensboro Bridge
Perspective showing the back of the DM performance center with the stack of private practice dance rooms on the backsidePerspective showing the back of the DM performance center with the stack of private practice dance rooms on the backsidePerspective showing the back of the DM performance center with the stack of private practice dance rooms on the backsidePerspective showing the back of the DM performance center with the stack of private practice dance rooms on the backside
Model of the DM performance center highlighting the free public path for stealing glimpses into the performance hallsModel of the DM performance center highlighting the free public path for stealing glimpses into the performance hallsModel of the DM performance center highlighting the free public path for stealing glimpses into the performance hallsModel of the DM performance center highlighting the free public path for stealing glimpses into the performance halls
Collection of precedent images combining the cinematic qualities of the Queensboro Bridge with Fellini's 8 1/2 performancesCollection of precedent images combining the cinematic qualities of the Queensboro Bridge with Fellini's 8 1/2 performancesCollection of precedent images combining the cinematic qualities of the Queensboro Bridge with Fellini's 8 1/2 performancesCollection of precedent images combining the cinematic qualities of the Queensboro Bridge with Fellini's 8 1/2 performances
Floor plan animations revealing the various levels of the DM performance centerFloor plan animations revealing the various levels of the DM performance centerFloor plan animations revealing the various levels of the DM performance centerFloor plan animations revealing the various levels of the DM performance center
Section drawing cutting through the road, the DM performance hall, and the Queensboro Bridge Section drawing cutting through the road, the DM performance hall, and the Queensboro Bridge Section drawing cutting through the road, the DM performance hall, and the Queensboro Bridge Section drawing cutting through the road, the DM performance hall, and the Queensboro Bridge
Series of conceptual massing models organizing performance spaces and public paths connecting the DM project to the bridgeSeries of conceptual massing models organizing performance spaces and public paths connecting the DM project to the bridgeSeries of conceptual massing models organizing performance spaces and public paths connecting the DM project to the bridgeSeries of conceptual massing models organizing performance spaces and public paths connecting the DM project to the bridge

OTHER PROJECTS

University Island is a swirling shapeshifter, in both the landscape and the architecture, that offers it’s undefined field of opportunities to the students and anticipates that each will discover and produce their own individual relationship with the island and their education.
Utilizing built form as a strategic carrier of culture in opposition of the status quo, the Hellinikon project links the disconnected suburban mountain communities to the east with the sea to the west while splitting the Hellinikon International Airport and Olympic Park into distinct zones.
Planes, frames, and volumes are fundamentals to all assembly logics. With the proliferation of additive production methods, the possibility of volumetric prefabricated components has the potential to radically alter the way that we conceive of construction and the permanence of building parts.
Space has become redundant again. Popular culture is uninterested in the goings-on in space. Once achieved, mans absurd relation with space becomes yesterdays news. To become relevant to the public, CASIS must be an amenity and not a mission. Instead of promoting an HQ, make it a public interface.
In Tempe there are two pedestrian axes: Mill Avenue and Palm Walk. Mill Avenue is successful and Palm Walk is not. Is there a way to make the palm trees useful to the students? The PEP structure is powered by buried hydraulic pressure systems giving vertical movement to the layer/palm interface.
The CART live/work housing prototype adds a vertical profile to downtown while converting an underutilized public path into an urban gesture by introducing of a specialized food cart zone in New Haven. The CART residents would rent and appropriate the moving space as a means of expanding their zone.
The RACA project must meet two demands: A. REFLECTION (museum) or B. CONTINUATION (practice + addition). The current program and its stagnancy has left the site forgotten—it is a typical static museum on a living site. The site and addition must constantly change through the participation of people.
The GBN project sites itself as this link connecting the busiest night life district and revitalized neighborhood park in the north, the largest beach front in the city to the south, and establishes the cities first large public plaza and recreation fields adjacent to the new building.

OTHER RESEARCH