DM
—
—
Dance Machine
Street Intersection Massing

Dance Machine

Perspective of the DM dance center from the street intersection showing the construction merging with the Queensboro BridgePerspective of the DM dance center from the street intersection showing the construction merging with the Queensboro BridgePerspective of the DM dance center from the street intersection showing the construction merging with the Queensboro BridgePerspective of the DM dance center from the street intersection showing the construction merging with the Queensboro Bridge
Perspective of the DM dance center from the street intersection showing the construction merging with the Queensboro Bridge

The performance hall floats in the center while the pedestrian path wraps the entire building and latches on to the bridge. The adjacent sidewalk is welcomed in by a double height ramped performance space and cafe amenities.

Perspective of the DM dance center from the street intersection showing the construction merging with the Queensboro Bridge

Perspectives

City

Urbanism

Infrastructure

Institutional

RELATED RESEARCH IMAGES

RELATED PROJECT IMAGES

Model of the DM performance center highlighting the free public path for stealing glimpses into the performance hallsModel of the DM performance center highlighting the free public path for stealing glimpses into the performance hallsModel of the DM performance center highlighting the free public path for stealing glimpses into the performance hallsModel of the DM performance center highlighting the free public path for stealing glimpses into the performance halls
Floor plan animations revealing the various levels of the DM performance centerFloor plan animations revealing the various levels of the DM performance centerFloor plan animations revealing the various levels of the DM performance centerFloor plan animations revealing the various levels of the DM performance center
Series of conceptual massing models organizing performance spaces and public paths connecting the DM project to the bridgeSeries of conceptual massing models organizing performance spaces and public paths connecting the DM project to the bridgeSeries of conceptual massing models organizing performance spaces and public paths connecting the DM project to the bridgeSeries of conceptual massing models organizing performance spaces and public paths connecting the DM project to the bridge
Perspective showing the back of the DM performance center with the stack of private practice dance rooms on the backsidePerspective showing the back of the DM performance center with the stack of private practice dance rooms on the backsidePerspective showing the back of the DM performance center with the stack of private practice dance rooms on the backsidePerspective showing the back of the DM performance center with the stack of private practice dance rooms on the backside
Section drawing cutting through the road, the DM performance hall, and the Queensboro Bridge Section drawing cutting through the road, the DM performance hall, and the Queensboro Bridge Section drawing cutting through the road, the DM performance hall, and the Queensboro Bridge Section drawing cutting through the road, the DM performance hall, and the Queensboro Bridge
Perspective of the DM performance massing attached to the Queensboro bridge viewed from above the street intersectionPerspective of the DM performance massing attached to the Queensboro bridge viewed from above the street intersectionPerspective of the DM performance massing attached to the Queensboro bridge viewed from above the street intersectionPerspective of the DM performance massing attached to the Queensboro bridge viewed from above the street intersection
Initial concept sketch for distributing the various studio and theatre programs of the DM performance centerInitial concept sketch for distributing the various studio and theatre programs of the DM performance centerInitial concept sketch for distributing the various studio and theatre programs of the DM performance centerInitial concept sketch for distributing the various studio and theatre programs of the DM performance center
Long section perspective of the main DM performance hall with studio spaces, lower facilities and upper stageLong section perspective of the main DM performance hall with studio spaces, lower facilities and upper stageLong section perspective of the main DM performance hall with studio spaces, lower facilities and upper stageLong section perspective of the main DM performance hall with studio spaces, lower facilities and upper stage
Collection of precedent images combining the cinematic qualities of the Queensboro Bridge with Fellini's 8 1/2 performancesCollection of precedent images combining the cinematic qualities of the Queensboro Bridge with Fellini's 8 1/2 performancesCollection of precedent images combining the cinematic qualities of the Queensboro Bridge with Fellini's 8 1/2 performancesCollection of precedent images combining the cinematic qualities of the Queensboro Bridge with Fellini's 8 1/2 performances

OTHER PROJECTS

University Island is a swirling shapeshifter, in both the landscape and the architecture, that offers it’s undefined field of opportunities to the students and anticipates that each will discover and produce their own individual relationship with the island and their education.
The GBN project sites itself as this link connecting the busiest night life district and revitalized neighborhood park in the north, the largest beach front in the city to the south, and establishes the cities first large public plaza and recreation fields adjacent to the new building.
QTCT is tasked to blend these two identities onto one site—a give and take relationship between beach ambitions and urban necessities. QTCT is a sampling of two worlds: on one hand it is the embodiment of the language of the beach and on the other it is a detailed and exacting built urban space.
Planes, frames, and volumes are fundamentals to all assembly logics. With the proliferation of additive production methods, the possibility of volumetric prefabricated components has the potential to radically alter the way that we conceive of construction and the permanence of building parts.
The challenge of creating a pair of studio apartments that can fill a lifted 16'x16' void necessitates the creation of a quick, mobile, and opportunistic building system that can react to the found conditions of the site. Access to the site is limited and the ground must be free.
The RACA project must meet two demands: A. REFLECTION (museum) or B. CONTINUATION (practice + addition). The current program and its stagnancy has left the site forgotten—it is a typical static museum on a living site. The site and addition must constantly change through the participation of people.
Infrastructure as urban performance. Serving as both a backdrop to elegant theatrical dances and a framework for holding a wandering public, the Dance Machine enacts performance through both its program and its existence as a merged urban extension of the Queensboro Bridge.
Utilizing built form as a strategic carrier of culture in opposition of the status quo, the Hellinikon project links the disconnected suburban mountain communities to the east with the sea to the west while splitting the Hellinikon International Airport and Olympic Park into distinct zones.

OTHER RESEARCH