YELE
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Disaster Relief Studio
Studio & Public Space Section

Disaster Relief Studio

Section perspective showing the exterior public space above the private recording studios and radio center deckSection perspective showing the exterior public space above the private recording studios and radio center deckSection perspective showing the exterior public space above the private recording studios and radio center deckSection perspective showing the exterior public space above the private recording studios and radio center deck
Section perspective showing the exterior public space above the private recording studios and radio center deck

The simplicity in the stick-framed method of construction and the efficiency of using flat-packed and stackable materials allows for a quick and self-explanatory construction sequence.

Section perspective showing the exterior public space above the private recording studios and radio center deck

Perspectives

Sections

Infrastructure

Institutional

Urbanism

Competitions

RELATED RESEARCH IMAGES

RELATED PROJECT IMAGES

Plan and massing drawings showing the extent of the Phase 1 YELE build-out for bare minimal bathroom resources and spacePlan and massing drawings showing the extent of the Phase 1 YELE build-out for bare minimal bathroom resources and spacePlan and massing drawings showing the extent of the Phase 1 YELE build-out for bare minimal bathroom resources and spacePlan and massing drawings showing the extent of the Phase 1 YELE build-out for bare minimal bathroom resources and space

OTHER PROJECTS

The YELE music studio competition, underway before the earthquake, must respond now, but plan for the future of the community. Music is relief in a time of tragedy. The goal is to meet the most basic survival needs now while leaving spaces for future growth through self sustaining phases.
The GBN project sites itself as this link connecting the busiest night life district and revitalized neighborhood park in the north, the largest beach front in the city to the south, and establishes the cities first large public plaza and recreation fields adjacent to the new building.
The RACA project must meet two demands: A. REFLECTION (museum) or B. CONTINUATION (practice + addition). The current program and its stagnancy has left the site forgotten—it is a typical static museum on a living site. The site and addition must constantly change through the participation of people.
University Island is a swirling shapeshifter, in both the landscape and the architecture, that offers it’s undefined field of opportunities to the students and anticipates that each will discover and produce their own individual relationship with the island and their education.
QTCT is tasked to blend these two identities onto one site—a give and take relationship between beach ambitions and urban necessities. QTCT is a sampling of two worlds: on one hand it is the embodiment of the language of the beach and on the other it is a detailed and exacting built urban space.
Dimensions.com is an ongoing reference database of dimensioned drawings documenting the standard measurements and sizes of the everyday objects and spaces that make up our world.
Coney Island will remain a MUTANT appendage at the farthest shore of New York City. Coney is an agglomeration of all of its histories and should continue to simultaneously move each agenda forward. Coney will continue to evolve through mutations— this vision will accelerate its hybridity.
Infrastructure as urban performance. Serving as both a backdrop to elegant theatrical dances and a framework for holding a wandering public, the Dance Machine enacts performance through both its program and its existence as a merged urban extension of the Queensboro Bridge.

OTHER RESEARCH