SPCS
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SPACIS
Corner Section Perspective

SPACIS

Section perspective drawing of the diagonal vertical circulation sequence throughout the SPCS research center from the plazaSection perspective drawing of the diagonal vertical circulation sequence throughout the SPCS research center from the plazaSection perspective drawing of the diagonal vertical circulation sequence throughout the SPCS research center from the plazaSection perspective drawing of the diagonal vertical circulation sequence throughout the SPCS research center from the plaza
Section perspective drawing of the diagonal vertical circulation sequence throughout the SPCS research center from the plaza

Space has become redundant again. Popular culture is uninterested in the goings-on in space. For most it is a junkyard filled with obsolete satellites and other clutter. The ambitions are muddy.

Section perspective drawing of the diagonal vertical circulation sequence throughout the SPCS research center from the plaza

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Urbanism

Institutional

RELATED RESEARCH IMAGES

RELATED PROJECT IMAGES

Hybrid drawing combining massing axons, sections, and program concepts as part of the SPCS processHybrid drawing combining massing axons, sections, and program concepts as part of the SPCS processHybrid drawing combining massing axons, sections, and program concepts as part of the SPCS processHybrid drawing combining massing axons, sections, and program concepts as part of the SPCS process
Multiple perspectives of the two public auditoria located through the vertical exhibition path of the SPCS HQMultiple perspectives of the two public auditoria located through the vertical exhibition path of the SPCS HQMultiple perspectives of the two public auditoria located through the vertical exhibition path of the SPCS HQMultiple perspectives of the two public auditoria located through the vertical exhibition path of the SPCS HQ
Perspective of the glowing SPCS center from park across the street at nightPerspective of the glowing SPCS center from park across the street at nightPerspective of the glowing SPCS center from park across the street at nightPerspective of the glowing SPCS center from park across the street at night

OTHER PROJECTS

Planes, frames, and volumes are fundamentals to all assembly logics. With the proliferation of additive production methods, the possibility of volumetric prefabricated components has the potential to radically alter the way that we conceive of construction and the permanence of building parts.
The challenge of creating a pair of studio apartments that can fill a lifted 16'x16' void necessitates the creation of a quick, mobile, and opportunistic building system that can react to the found conditions of the site. Access to the site is limited and the ground must be free.
Space has become redundant again. Popular culture is uninterested in the goings-on in space. Once achieved, mans absurd relation with space becomes yesterdays news. To become relevant to the public, CASIS must be an amenity and not a mission. Instead of promoting an HQ, make it a public interface.
The CART live/work housing prototype adds a vertical profile to downtown while converting an underutilized public path into an urban gesture by introducing of a specialized food cart zone in New Haven. The CART residents would rent and appropriate the moving space as a means of expanding their zone.
Framework: Inverted Square Pyramid (FW:ISP) reimagines the traditional pyramid by flipping it upside down, shifting its focus from the cosmos to the people. The structure’s apexes become seating points within a flexible, interactive framework that encourages public engagement and play.
In Tempe there are two pedestrian axes: Mill Avenue and Palm Walk. Mill Avenue is successful and Palm Walk is not. Is there a way to make the palm trees useful to the students? The PEP structure is powered by buried hydraulic pressure systems giving vertical movement to the layer/palm interface.
Infrastructure as urban performance. Serving as both a backdrop to elegant theatrical dances and a framework for holding a wandering public, the Dance Machine enacts performance through both its program and its existence as a merged urban extension of the Queensboro Bridge.
QTCT is tasked to blend these two identities onto one site—a give and take relationship between beach ambitions and urban necessities. QTCT is a sampling of two worlds: on one hand it is the embodiment of the language of the beach and on the other it is a detailed and exacting built urban space.

OTHER RESEARCH