ESPW
Sun Scaffolds
TUBE:CHROMA Perspective

Sun Scaffolds

Sidewalk perspective of the TUBE:CHROMA forms with geometric shapesSidewalk perspective of the TUBE:CHROMA forms with geometric shapesSidewalk perspective of the TUBE:CHROMA forms with geometric shapesSidewalk perspective of the TUBE:CHROMA forms with geometric shapes

RELATED RESEARCH IMAGES

RELATED PROJECT IMAGES

Espanola Way Street perspective of the Sun Scaffolding forms on the wall and the possibility of overhead formsEspanola Way Street perspective of the Sun Scaffolding forms on the wall and the possibility of overhead formsEspanola Way Street perspective of the Sun Scaffolding forms on the wall and the possibility of overhead formsEspanola Way Street perspective of the Sun Scaffolding forms on the wall and the possibility of overhead forms
Sidewalk view of the WEAVE:SUNSET variation of the scaffolding forms for Espanola WaySidewalk view of the WEAVE:SUNSET variation of the scaffolding forms for Espanola WaySidewalk view of the WEAVE:SUNSET variation of the scaffolding forms for Espanola WaySidewalk view of the WEAVE:SUNSET variation of the scaffolding forms for Espanola Way
Espanola Way sidewalk view of the DRAPE:PASTEL variationEspanola Way sidewalk view of the DRAPE:PASTEL variationEspanola Way sidewalk view of the DRAPE:PASTEL variationEspanola Way sidewalk view of the DRAPE:PASTEL variation
Trio of sections of various studies with benches and variations of plastic weaving on the scaffoldingTrio of sections of various studies with benches and variations of plastic weaving on the scaffoldingTrio of sections of various studies with benches and variations of plastic weaving on the scaffoldingTrio of sections of various studies with benches and variations of plastic weaving on the scaffolding
Set of studies of the materials for the DRAPE:PASTEL conceptSet of studies of the materials for the DRAPE:PASTEL conceptSet of studies of the materials for the DRAPE:PASTEL conceptSet of studies of the materials for the DRAPE:PASTEL concept
Perspective elevation of the DRAPE:PASTEL elevation on Espanola WayPerspective elevation of the DRAPE:PASTEL elevation on Espanola WayPerspective elevation of the DRAPE:PASTEL elevation on Espanola WayPerspective elevation of the DRAPE:PASTEL elevation on Espanola Way
Pair of material studies based on Pool rafts and shimmering colorsPair of material studies based on Pool rafts and shimmering colorsPair of material studies based on Pool rafts and shimmering colorsPair of material studies based on Pool rafts and shimmering colors
Espanola Way elevation perspective of the Sun Scaffolding proposalEspanola Way elevation perspective of the Sun Scaffolding proposalEspanola Way elevation perspective of the Sun Scaffolding proposalEspanola Way elevation perspective of the Sun Scaffolding proposal
Elevation perspective of the multiple panels of the TUBE:CHROMA form study on Espanola WayElevation perspective of the multiple panels of the TUBE:CHROMA form study on Espanola WayElevation perspective of the multiple panels of the TUBE:CHROMA form study on Espanola WayElevation perspective of the multiple panels of the TUBE:CHROMA form study on Espanola Way
Pair of material studies for the WEAVE:SUNSET design option for Espanola WayPair of material studies for the WEAVE:SUNSET design option for Espanola WayPair of material studies for the WEAVE:SUNSET design option for Espanola WayPair of material studies for the WEAVE:SUNSET design option for Espanola Way

OTHER PROJECTS

Space has become redundant again. Popular culture is uninterested in the goings-on in space. Once achieved, mans absurd relation with space becomes yesterdays news. To become relevant to the public, CASIS must be an amenity and not a mission. Instead of promoting an HQ, make it a public interface.
The RACA project must meet two demands: A. REFLECTION (museum) or B. CONTINUATION (practice + addition). The current program and its stagnancy has left the site forgotten—it is a typical static museum on a living site. The site and addition must constantly change through the participation of people.
The Butterfly Theater is a living pavilion—part sculpture, part habitat, part playground. It takes inspiration from the elegance of flamingos and the presence of butterflies in Miami Beach, transforming the park’s open center into a place of movement, color, and quiet spectacle.
The Craft School is a participatory design and construction initiative that places students at the center of creating their own learning environment. It recognizes that education is not only about what happens inside the classroom, but also how the classroom comes to be.
Coney Island will remain a MUTANT appendage at the farthest shore of New York City. Coney is an agglomeration of all of its histories and should continue to simultaneously move each agenda forward. Coney will continue to evolve through mutations— this vision will accelerate its hybridity.
Scaffolding is often seen as a temporary urban necessity—functional, but rarely celebrated. This project reimagines scaffolding as an architectural intervention and public art piece throughout Española Way, transforming it into a vibrant, interactive element in Miami Beach’s urban fabric.
In Tempe there are two pedestrian axes: Mill Avenue and Palm Walk. Mill Avenue is successful and Palm Walk is not. Is there a way to make the palm trees useful to the students? The PEP structure is powered by buried hydraulic pressure systems giving vertical movement to the layer/palm interface.
Seating design is vital in fostering communal interactions in shared spaces. Rooted in the organic growth principles of the Metabolist movement and the transformational geometric language of digital Metaballs, Meta-Bench forms an experiential seating system which individuals can move and adjust.

OTHER RESEARCH