ESPW
Sun Scaffolds
WEAVE:SUNSET Material Studies

Sun Scaffolds

Pair of material studies for the WEAVE:SUNSET design option for Espanola WayPair of material studies for the WEAVE:SUNSET design option for Espanola WayPair of material studies for the WEAVE:SUNSET design option for Espanola WayPair of material studies for the WEAVE:SUNSET design option for Espanola Way

RELATED RESEARCH IMAGES

RELATED PROJECT IMAGES

Set of studies of the materials for the DRAPE:PASTEL conceptSet of studies of the materials for the DRAPE:PASTEL conceptSet of studies of the materials for the DRAPE:PASTEL conceptSet of studies of the materials for the DRAPE:PASTEL concept
Espanola Way Street perspective of the Sun Scaffolding forms on the wall and the possibility of overhead formsEspanola Way Street perspective of the Sun Scaffolding forms on the wall and the possibility of overhead formsEspanola Way Street perspective of the Sun Scaffolding forms on the wall and the possibility of overhead formsEspanola Way Street perspective of the Sun Scaffolding forms on the wall and the possibility of overhead forms
Sidewalk view of the WEAVE:SUNSET variation of the scaffolding forms for Espanola WaySidewalk view of the WEAVE:SUNSET variation of the scaffolding forms for Espanola WaySidewalk view of the WEAVE:SUNSET variation of the scaffolding forms for Espanola WaySidewalk view of the WEAVE:SUNSET variation of the scaffolding forms for Espanola Way
Espanola Way elevation perspective of the Sun Scaffolding proposalEspanola Way elevation perspective of the Sun Scaffolding proposalEspanola Way elevation perspective of the Sun Scaffolding proposalEspanola Way elevation perspective of the Sun Scaffolding proposal
Sidewalk perspective of the TUBE:CHROMA forms with geometric shapesSidewalk perspective of the TUBE:CHROMA forms with geometric shapesSidewalk perspective of the TUBE:CHROMA forms with geometric shapesSidewalk perspective of the TUBE:CHROMA forms with geometric shapes
Trio of sections of various studies with benches and variations of plastic weaving on the scaffoldingTrio of sections of various studies with benches and variations of plastic weaving on the scaffoldingTrio of sections of various studies with benches and variations of plastic weaving on the scaffoldingTrio of sections of various studies with benches and variations of plastic weaving on the scaffolding
Pair of material studies based on Pool rafts and shimmering colorsPair of material studies based on Pool rafts and shimmering colorsPair of material studies based on Pool rafts and shimmering colorsPair of material studies based on Pool rafts and shimmering colors
Elevation perspective of the multiple panels of the TUBE:CHROMA form study on Espanola WayElevation perspective of the multiple panels of the TUBE:CHROMA form study on Espanola WayElevation perspective of the multiple panels of the TUBE:CHROMA form study on Espanola WayElevation perspective of the multiple panels of the TUBE:CHROMA form study on Espanola Way
Espanola Way sidewalk view of the DRAPE:PASTEL variationEspanola Way sidewalk view of the DRAPE:PASTEL variationEspanola Way sidewalk view of the DRAPE:PASTEL variationEspanola Way sidewalk view of the DRAPE:PASTEL variation
Perspective elevation of the DRAPE:PASTEL elevation on Espanola WayPerspective elevation of the DRAPE:PASTEL elevation on Espanola WayPerspective elevation of the DRAPE:PASTEL elevation on Espanola WayPerspective elevation of the DRAPE:PASTEL elevation on Espanola Way

OTHER PROJECTS

Space has become redundant again. Popular culture is uninterested in the goings-on in space. Once achieved, mans absurd relation with space becomes yesterdays news. To become relevant to the public, CASIS must be an amenity and not a mission. Instead of promoting an HQ, make it a public interface.
QTCT is tasked to blend these two identities onto one site—a give and take relationship between beach ambitions and urban necessities. QTCT is a sampling of two worlds: on one hand it is the embodiment of the language of the beach and on the other it is a detailed and exacting built urban space.
The challenge of creating a pair of studio apartments that can fill a lifted 16'x16' void necessitates the creation of a quick, mobile, and opportunistic building system that can react to the found conditions of the site. Access to the site is limited and the ground must be free.
The Craft School is a participatory design and construction initiative that places students at the center of creating their own learning environment. It recognizes that education is not only about what happens inside the classroom, but also how the classroom comes to be.
Scaffolding is often seen as a temporary urban necessity—functional, but rarely celebrated. This project reimagines scaffolding as an architectural intervention and public art piece throughout Española Way, transforming it into a vibrant, interactive element in Miami Beach’s urban fabric.
Utilizing built form as a strategic carrier of culture in opposition of the status quo, the Hellinikon project links the disconnected suburban mountain communities to the east with the sea to the west while splitting the Hellinikon International Airport and Olympic Park into distinct zones.
In Tempe there are two pedestrian axes: Mill Avenue and Palm Walk. Mill Avenue is successful and Palm Walk is not. Is there a way to make the palm trees useful to the students? The PEP structure is powered by buried hydraulic pressure systems giving vertical movement to the layer/palm interface.
The RACA project must meet two demands: A. REFLECTION (museum) or B. CONTINUATION (practice + addition). The current program and its stagnancy has left the site forgotten—it is a typical static museum on a living site. The site and addition must constantly change through the participation of people.

OTHER RESEARCH