ESPW
Sun Scaffolds
WEAVE:SUNSET Material Studies

Sun Scaffolds

Pair of material studies for the WEAVE:SUNSET design option for Espanola WayPair of material studies for the WEAVE:SUNSET design option for Espanola WayPair of material studies for the WEAVE:SUNSET design option for Espanola WayPair of material studies for the WEAVE:SUNSET design option for Espanola Way

RELATED RESEARCH IMAGES

RELATED PROJECT IMAGES

Sidewalk view of the WEAVE:SUNSET variation of the scaffolding forms for Espanola WaySidewalk view of the WEAVE:SUNSET variation of the scaffolding forms for Espanola WaySidewalk view of the WEAVE:SUNSET variation of the scaffolding forms for Espanola WaySidewalk view of the WEAVE:SUNSET variation of the scaffolding forms for Espanola Way
Espanola Way sidewalk view of the DRAPE:PASTEL variationEspanola Way sidewalk view of the DRAPE:PASTEL variationEspanola Way sidewalk view of the DRAPE:PASTEL variationEspanola Way sidewalk view of the DRAPE:PASTEL variation
Trio of sections of various studies with benches and variations of plastic weaving on the scaffoldingTrio of sections of various studies with benches and variations of plastic weaving on the scaffoldingTrio of sections of various studies with benches and variations of plastic weaving on the scaffoldingTrio of sections of various studies with benches and variations of plastic weaving on the scaffolding
Elevation perspective of the multiple panels of the TUBE:CHROMA form study on Espanola WayElevation perspective of the multiple panels of the TUBE:CHROMA form study on Espanola WayElevation perspective of the multiple panels of the TUBE:CHROMA form study on Espanola WayElevation perspective of the multiple panels of the TUBE:CHROMA form study on Espanola Way
Espanola Way Street perspective of the Sun Scaffolding forms on the wall and the possibility of overhead formsEspanola Way Street perspective of the Sun Scaffolding forms on the wall and the possibility of overhead formsEspanola Way Street perspective of the Sun Scaffolding forms on the wall and the possibility of overhead formsEspanola Way Street perspective of the Sun Scaffolding forms on the wall and the possibility of overhead forms
Espanola Way elevation perspective of the Sun Scaffolding proposalEspanola Way elevation perspective of the Sun Scaffolding proposalEspanola Way elevation perspective of the Sun Scaffolding proposalEspanola Way elevation perspective of the Sun Scaffolding proposal
Sidewalk perspective of the TUBE:CHROMA forms with geometric shapesSidewalk perspective of the TUBE:CHROMA forms with geometric shapesSidewalk perspective of the TUBE:CHROMA forms with geometric shapesSidewalk perspective of the TUBE:CHROMA forms with geometric shapes
Set of studies of the materials for the DRAPE:PASTEL conceptSet of studies of the materials for the DRAPE:PASTEL conceptSet of studies of the materials for the DRAPE:PASTEL conceptSet of studies of the materials for the DRAPE:PASTEL concept
Pair of material studies based on Pool rafts and shimmering colorsPair of material studies based on Pool rafts and shimmering colorsPair of material studies based on Pool rafts and shimmering colorsPair of material studies based on Pool rafts and shimmering colors
Perspective elevation of the DRAPE:PASTEL elevation on Espanola WayPerspective elevation of the DRAPE:PASTEL elevation on Espanola WayPerspective elevation of the DRAPE:PASTEL elevation on Espanola WayPerspective elevation of the DRAPE:PASTEL elevation on Espanola Way

OTHER PROJECTS

Coney Island will remain a MUTANT appendage at the farthest shore of New York City. Coney is an agglomeration of all of its histories and should continue to simultaneously move each agenda forward. Coney will continue to evolve through mutations— this vision will accelerate its hybridity.
Seating design is vital in fostering communal interactions in shared spaces. Rooted in the organic growth principles of the Metabolist movement and the transformational geometric language of digital Metaballs, Meta-Bench forms an experiential seating system which individuals can move and adjust.
Infrastructure as urban performance. Serving as both a backdrop to elegant theatrical dances and a framework for holding a wandering public, the Dance Machine enacts performance through both its program and its existence as a merged urban extension of the Queensboro Bridge.
The Craft School is a participatory design and construction initiative that places students at the center of creating their own learning environment. It recognizes that education is not only about what happens inside the classroom, but also how the classroom comes to be.
In Tempe there are two pedestrian axes: Mill Avenue and Palm Walk. Mill Avenue is successful and Palm Walk is not. Is there a way to make the palm trees useful to the students? The PEP structure is powered by buried hydraulic pressure systems giving vertical movement to the layer/palm interface.
Space has become redundant again. Popular culture is uninterested in the goings-on in space. Once achieved, mans absurd relation with space becomes yesterdays news. To become relevant to the public, CASIS must be an amenity and not a mission. Instead of promoting an HQ, make it a public interface.
The YELE music studio competition, underway before the earthquake, must respond now, but plan for the future of the community. Music is relief in a time of tragedy. The goal is to meet the most basic survival needs now while leaving spaces for future growth through self sustaining phases.
The Butterfly Theater is a living pavilion—part sculpture, part habitat, part playground. It takes inspiration from the elegance of flamingos and the presence of butterflies in Miami Beach, transforming the park’s open center into a place of movement, color, and quiet spectacle.

OTHER RESEARCH