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Dimensions.com

Scaled group of 2D transport vehicles drawn for the dimensions.com databaseScaled group of 2D transport vehicles drawn for the dimensions.com databaseScaled group of 2D transport vehicles drawn for the dimensions.com databaseScaled group of 2D transport vehicles drawn for the dimensions.com database

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Series of 3D objects from dimensions.comSeries of 3D objects from dimensions.comSeries of 3D objects from dimensions.comSeries of 3D objects from dimensions.com
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Series of 3D models of various 3D furniture from dimensions.comSeries of 3D models of various 3D furniture from dimensions.comSeries of 3D models of various 3D furniture from dimensions.comSeries of 3D models of various 3D furniture from dimensions.com
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Scaled group of 2D fixtures drawn for the dimensions.com databaseScaled group of 2D fixtures drawn for the dimensions.com databaseScaled group of 2D fixtures drawn for the dimensions.com databaseScaled group of 2D fixtures drawn for the dimensions.com database
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Scaled group of 3D fixtures created for the dimensions.com databaseScaled group of 3D fixtures created for the dimensions.com databaseScaled group of 3D fixtures created for the dimensions.com databaseScaled group of 3D fixtures created for the dimensions.com database
Series of 2D drawings of various 2D Furniture pieces from dimensions.comSeries of 2D drawings of various 2D Furniture pieces from dimensions.comSeries of 2D drawings of various 2D Furniture pieces from dimensions.comSeries of 2D drawings of various 2D Furniture pieces from dimensions.com
Cover and interview with Bryan Maddock about Dimensions.Guide from the Casa BRUTUS September 2019 magazineCover and interview with Bryan Maddock about Dimensions.Guide from the Casa BRUTUS September 2019 magazineCover and interview with Bryan Maddock about Dimensions.Guide from the Casa BRUTUS September 2019 magazineCover and interview with Bryan Maddock about Dimensions.Guide from the Casa BRUTUS September 2019 magazine
Series of 2D drawings of various 2D building components from dimensions.comSeries of 2D drawings of various 2D building components from dimensions.comSeries of 2D drawings of various 2D building components from dimensions.comSeries of 2D drawings of various 2D building components from dimensions.com
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OTHER PROJECTS

Seeing Park Avenue as an underutilized zone that connects four vibrant neighborhoods from 42nd Street to 144th Street, Infrastructural Infill is a study testing the potential to locate a combination of mixed-use housing and transportation in the residual spaces caused by urban infrastructure.
Infrastructure as urban performance. Serving as both a backdrop to elegant theatrical dances and a framework for holding a wandering public, the Dance Machine enacts performance through both its program and its existence as a merged urban extension of the Queensboro Bridge.
Coney Island will remain a MUTANT appendage at the farthest shore of New York City. Coney is an agglomeration of all of its histories and should continue to simultaneously move each agenda forward. Coney will continue to evolve through mutations— this vision will accelerate its hybridity.
The YELE music studio competition, underway before the earthquake, must respond now, but plan for the future of the community. Music is relief in a time of tragedy. The goal is to meet the most basic survival needs now while leaving spaces for future growth through self sustaining phases.
The GBN project sites itself as this link connecting the busiest night life district and revitalized neighborhood park in the north, the largest beach front in the city to the south, and establishes the cities first large public plaza and recreation fields adjacent to the new building.
The RACA project must meet two demands: A. REFLECTION (museum) or B. CONTINUATION (practice + addition). The current program and its stagnancy has left the site forgotten—it is a typical static museum on a living site. The site and addition must constantly change through the participation of people.
Space has become redundant again. Popular culture is uninterested in the goings-on in space. Once achieved, mans absurd relation with space becomes yesterdays news. To become relevant to the public, CASIS must be an amenity and not a mission. Instead of promoting an HQ, make it a public interface.
University Island is a swirling shapeshifter, in both the landscape and the architecture, that offers it’s undefined field of opportunities to the students and anticipates that each will discover and produce their own individual relationship with the island and their education.

OTHER RESEARCH