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Dimensions.com
Dimensions Plants 2D

Dimensions.com

Scaled group of 2D plants drawn for the dimensions.com databaseScaled group of 2D plants drawn for the dimensions.com databaseScaled group of 2D plants drawn for the dimensions.com databaseScaled group of 2D plants drawn for the dimensions.com database
Scaled group of 2D plants drawn for the dimensions.com database

Scaled group of 2D plants drawn for the dimensions.com database

Scaled group of 2D plants drawn for the dimensions.com database

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Collection of 2D drawings of assorted Humans from dimensions.comCollection of 2D drawings of assorted Humans from dimensions.comCollection of 2D drawings of assorted Humans from dimensions.comCollection of 2D drawings of assorted Humans from dimensions.com
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Scaled group of 3D sporting topics modeled for the dimensions.com databaseScaled group of 3D sporting topics modeled for the dimensions.com databaseScaled group of 3D sporting topics modeled for the dimensions.com databaseScaled group of 3D sporting topics modeled for the dimensions.com database
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Cover and interview with Bryan Maddock about Dimensions.Guide from the Casa BRUTUS September 2019 magazineCover and interview with Bryan Maddock about Dimensions.Guide from the Casa BRUTUS September 2019 magazineCover and interview with Bryan Maddock about Dimensions.Guide from the Casa BRUTUS September 2019 magazineCover and interview with Bryan Maddock about Dimensions.Guide from the Casa BRUTUS September 2019 magazine
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Scaled group of 2D fixtures drawn for the dimensions.com databaseScaled group of 2D fixtures drawn for the dimensions.com databaseScaled group of 2D fixtures drawn for the dimensions.com databaseScaled group of 2D fixtures drawn for the dimensions.com database
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Scaled group of 3D fixtures created for the dimensions.com databaseScaled group of 3D fixtures created for the dimensions.com databaseScaled group of 3D fixtures created for the dimensions.com databaseScaled group of 3D fixtures created for the dimensions.com database
Combination of the primary 2D homepage grid from dimensions.comCombination of the primary 2D homepage grid from dimensions.comCombination of the primary 2D homepage grid from dimensions.comCombination of the primary 2D homepage grid from dimensions.com
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OTHER PROJECTS

Scaffolding is often seen as a temporary urban necessity—functional, but rarely celebrated. This project reimagines scaffolding as an architectural intervention and public art piece throughout Española Way, transforming it into a vibrant, interactive element in Miami Beach’s urban fabric.
Seeing Park Avenue as an underutilized zone that connects four vibrant neighborhoods from 42nd Street to 144th Street, Infrastructural Infill is a study testing the potential to locate a combination of mixed-use housing and transportation in the residual spaces caused by urban infrastructure.
Seating design is vital in fostering communal interactions in shared spaces. Rooted in the organic growth principles of the Metabolist movement and the transformational geometric language of digital Metaballs, Meta-Bench forms an experiential seating system which individuals can move and adjust.
The Urban Test Object (UTO) serves as a large-scale intervention that accelerates our relationship with the future city. Rather than solving issues like density, infrastructure, or access, the UTO heightens awareness of the rapid urban transformations shaping our future.
The Butterfly Theater is a living pavilion—part sculpture, part habitat, part playground. It takes inspiration from the elegance of flamingos and the presence of butterflies in Miami Beach, transforming the park’s open center into a place of movement, color, and quiet spectacle.
Space has become redundant again. Popular culture is uninterested in the goings-on in space. Once achieved, mans absurd relation with space becomes yesterdays news. To become relevant to the public, CASIS must be an amenity and not a mission. Instead of promoting an HQ, make it a public interface.
Framework: Inverted Square Pyramid (FW:ISP) reimagines the traditional pyramid by flipping it upside down, shifting its focus from the cosmos to the people. The structure’s apexes become seating points within a flexible, interactive framework that encourages public engagement and play.
The RACA project must meet two demands: A. REFLECTION (museum) or B. CONTINUATION (practice + addition). The current program and its stagnancy has left the site forgotten—it is a typical static museum on a living site. The site and addition must constantly change through the participation of people.

OTHER RESEARCH