UTO
Urban Test Object
Young Architects Program

Urban Test Object

New York City’s population is projected to grow from 8.6 million in 2017 to 9.2 million by 2030. While urban growth constantly reshapes the city, public awareness remains fragmented. The Urban Test Object (UTO) serves as a large-scale intervention that accelerates our relationship with the future city.

Rather than solving issues like density, infrastructure, or access, the UTO heightens awareness of the rapid urban transformations shaping our future. From the city’s perspective, the UTO is a massive infill, tripling the site’s scale. However, within the courtyard, it dissolves into an open framework, inviting spontaneous public engagement. This contrast—between its bold urban presence and its openness below—makes the UTO an experimental reflection on the duality of urban objects.

Visually, the UTO adopts the orange safety mesh typical of construction sites, suspended from a lightweight scaffolding grid. A scattered field of columns elevates the structure above the courtyard, maintaining an open central void. Below, a sand-covered ground with movable seating, blankets, and pillows transforms the space into an adaptable urban landscape—an abstraction of the city as a beach.

After the summer program, the 76,000 ft² of construction mesh and scaffolding will be repurposed on ongoing building sites, ensuring the UTO’s presence continues within the city’s evolving fabric. Social interactions will be studied through documented seating arrangements, while the structure provides practical amenities like phone chargers, cooling devices, and concert lighting.

The Urban Test Object does not seek answers but instead encourages public reflection on the ongoing transformation of our cities. As a temporary but impactful participant, it fosters optimism and engagement with the forces shaping our urban future.

Young Architects Program

PROGRAM: Museum Pavilion

SITE: MoMA PS1

TEAM: Bryan Maddock

ORGANIZER: MoMA PS1

YEAR:
2018
NEWS:
Massing model showing the grid of the UTO massing form filling the MoMA PS1 courtyard spaceMassing model showing the grid of the UTO massing form filling the MoMA PS1 courtyard spaceMassing model showing the grid of the UTO massing form filling the MoMA PS1 courtyard spaceMassing model showing the grid of the UTO massing form filling the MoMA PS1 courtyard space

Rather than solving issues like density, infrastructure, or access, the UTO heightens awareness of the rapid urban transformations shaping our future. From the city’s perspective, the UTO is a massive infill, tripling the site’s scale.

Massing model showing the grid of the UTO massing form filling the MoMA PS1 courtyard space
Massing model showing the grid of the UTO massing form filling the MoMA PS1 courtyard space

PROJECT IMAGES

Massing model showing the grid of the UTO massing form filling the MoMA PS1 courtyard spaceMassing model showing the grid of the UTO massing form filling the MoMA PS1 courtyard spaceMassing model showing the grid of the UTO massing form filling the MoMA PS1 courtyard spaceMassing model showing the grid of the UTO massing form filling the MoMA PS1 courtyard space
Perspective below the UTO in the new urban beach of the courtyard at MoMA PS1Perspective below the UTO in the new urban beach of the courtyard at MoMA PS1Perspective below the UTO in the new urban beach of the courtyard at MoMA PS1Perspective below the UTO in the new urban beach of the courtyard at MoMA PS1
Road perspective of the UTO showing the massing as a generic future form over MoMA PS1Road perspective of the UTO showing the massing as a generic future form over MoMA PS1Road perspective of the UTO showing the massing as a generic future form over MoMA PS1Road perspective of the UTO showing the massing as a generic future form over MoMA PS1
Plan and axonometric drawing of visitors relaxing on towels on the urban beach below the UTO at MoMA PS1Plan and axonometric drawing of visitors relaxing on towels on the urban beach below the UTO at MoMA PS1Plan and axonometric drawing of visitors relaxing on towels on the urban beach below the UTO at MoMA PS1Plan and axonometric drawing of visitors relaxing on towels on the urban beach below the UTO at MoMA PS1

MORE PROJECTS

Seating design is vital in fostering communal interactions in shared spaces. Rooted in the organic growth principles of the Metabolist movement and the transformational geometric language of digital Metaballs, Meta-Bench forms an experiential seating system which individuals can move and adjust.
Framework: Inverted Square Pyramid (FW:ISP) reimagines the traditional pyramid by flipping it upside down, shifting its focus from the cosmos to the people. The structure’s apexes become seating points within a flexible, interactive framework that encourages public engagement and play.
Seeing Park Avenue as an underutilized zone that connects four vibrant neighborhoods from 42nd Street to 144th Street, Infrastructural Infill is a study testing the potential to locate a combination of mixed-use housing and transportation in the residual spaces caused by urban infrastructure.
QTCT is tasked to blend these two identities onto one site—a give and take relationship between beach ambitions and urban necessities. QTCT is a sampling of two worlds: on one hand it is the embodiment of the language of the beach and on the other it is a detailed and exacting built urban space.
The CART live/work housing prototype adds a vertical profile to downtown while converting an underutilized public path into an urban gesture by introducing of a specialized food cart zone in New Haven. The CART residents would rent and appropriate the moving space as a means of expanding their zone.
The YELE music studio competition, underway before the earthquake, must respond now, but plan for the future of the community. Music is relief in a time of tragedy. The goal is to meet the most basic survival needs now while leaving spaces for future growth through self sustaining phases.
In Tempe there are two pedestrian axes: Mill Avenue and Palm Walk. Mill Avenue is successful and Palm Walk is not. Is there a way to make the palm trees useful to the students? The PEP structure is powered by buried hydraulic pressure systems giving vertical movement to the layer/palm interface.
The RACA project must meet two demands: A. REFLECTION (museum) or B. CONTINUATION (practice + addition). The current program and its stagnancy has left the site forgotten—it is a typical static museum on a living site. The site and addition must constantly change through the participation of people.