YELE
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Disaster Relief Studio
Phase 2: First Studio Space

Disaster Relief Studio

Perspective showing the relationship of the recording booth to the small studio in the YELE phase 1 constructionPerspective showing the relationship of the recording booth to the small studio in the YELE phase 1 constructionPerspective showing the relationship of the recording booth to the small studio in the YELE phase 1 constructionPerspective showing the relationship of the recording booth to the small studio in the YELE phase 1 construction
Perspective showing the relationship of the recording booth to the small studio in the YELE phase 1 construction

Walls are built to enclose the control room and small studio.

Perspective showing the relationship of the recording booth to the small studio in the YELE phase 1 construction

Perspectives

Competitions

Institutional

RELATED RESEARCH IMAGES

RELATED PROJECT IMAGES

Exterior perspective of the final stage development of the YELE music studios and community space with deck and roof spaceExterior perspective of the final stage development of the YELE music studios and community space with deck and roof spaceExterior perspective of the final stage development of the YELE music studios and community space with deck and roof spaceExterior perspective of the final stage development of the YELE music studios and community space with deck and roof space

OTHER PROJECTS

University Island is a swirling shapeshifter, in both the landscape and the architecture, that offers it’s undefined field of opportunities to the students and anticipates that each will discover and produce their own individual relationship with the island and their education.
In Tempe there are two pedestrian axes: Mill Avenue and Palm Walk. Mill Avenue is successful and Palm Walk is not. Is there a way to make the palm trees useful to the students? The PEP structure is powered by buried hydraulic pressure systems giving vertical movement to the layer/palm interface.
Space has become redundant again. Popular culture is uninterested in the goings-on in space. Once achieved, mans absurd relation with space becomes yesterdays news. To become relevant to the public, CASIS must be an amenity and not a mission. Instead of promoting an HQ, make it a public interface.
Infrastructure as urban performance. Serving as both a backdrop to elegant theatrical dances and a framework for holding a wandering public, the Dance Machine enacts performance through both its program and its existence as a merged urban extension of the Queensboro Bridge.
Framework: Inverted Square Pyramid (FW:ISP) reimagines the traditional pyramid by flipping it upside down, shifting its focus from the cosmos to the people. The structure’s apexes become seating points within a flexible, interactive framework that encourages public engagement and play.
QTCT is tasked to blend these two identities onto one site—a give and take relationship between beach ambitions and urban necessities. QTCT is a sampling of two worlds: on one hand it is the embodiment of the language of the beach and on the other it is a detailed and exacting built urban space.
The Urban Test Object (UTO) serves as a large-scale intervention that accelerates our relationship with the future city. Rather than solving issues like density, infrastructure, or access, the UTO heightens awareness of the rapid urban transformations shaping our future.
Utilizing built form as a strategic carrier of culture in opposition of the status quo, the Hellinikon project links the disconnected suburban mountain communities to the east with the sea to the west while splitting the Hellinikon International Airport and Olympic Park into distinct zones.

OTHER RESEARCH