SPCS
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SPACIS
Golden Cube Model

SPACIS

Model showing the layered facade and the floating golden cube of the upper SPCS public galleriesModel showing the layered facade and the floating golden cube of the upper SPCS public galleriesModel showing the layered facade and the floating golden cube of the upper SPCS public galleriesModel showing the layered facade and the floating golden cube of the upper SPCS public galleries
Model showing the layered facade and the floating golden cube of the upper SPCS public galleries

The gold exhibition cube floats independent above the lobby and public paths. A screen mesh obscures the reading of the gold during the day while fading away and revealing the cube only at night.

Model showing the layered facade and the floating golden cube of the upper SPCS public galleries

Models

Urbanism

Institutional

RELATED RESEARCH IMAGES

RELATED PROJECT IMAGES

Hybrid drawing combining massing axons, sections, and program concepts as part of the SPCS processHybrid drawing combining massing axons, sections, and program concepts as part of the SPCS processHybrid drawing combining massing axons, sections, and program concepts as part of the SPCS processHybrid drawing combining massing axons, sections, and program concepts as part of the SPCS process
Study perspectives of the SPCS center from the two major public spaces on either side of the facilityStudy perspectives of the SPCS center from the two major public spaces on either side of the facilityStudy perspectives of the SPCS center from the two major public spaces on either side of the facilityStudy perspectives of the SPCS center from the two major public spaces on either side of the facility
Section sketch studying the inversion of public space into the SPCS research center from the park and hockey rink belowSection sketch studying the inversion of public space into the SPCS research center from the park and hockey rink belowSection sketch studying the inversion of public space into the SPCS research center from the park and hockey rink belowSection sketch studying the inversion of public space into the SPCS research center from the park and hockey rink below

OTHER PROJECTS

University Island is a swirling shapeshifter, in both the landscape and the architecture, that offers it’s undefined field of opportunities to the students and anticipates that each will discover and produce their own individual relationship with the island and their education.
The YELE music studio competition, underway before the earthquake, must respond now, but plan for the future of the community. Music is relief in a time of tragedy. The goal is to meet the most basic survival needs now while leaving spaces for future growth through self sustaining phases.
The Butterfly Theater is a living pavilion—part sculpture, part habitat, part playground. It takes inspiration from the elegance of flamingos and the presence of butterflies in Miami Beach, transforming the park’s open center into a place of movement, color, and quiet spectacle.
Scaffolding is often seen as a temporary urban necessity—functional, but rarely celebrated. This project reimagines scaffolding as an architectural intervention and public art piece throughout Española Way, transforming it into a vibrant, interactive element in Miami Beach’s urban fabric.
Planes, frames, and volumes are fundamentals to all assembly logics. With the proliferation of additive production methods, the possibility of volumetric prefabricated components has the potential to radically alter the way that we conceive of construction and the permanence of building parts.
Seating design is vital in fostering communal interactions in shared spaces. Rooted in the organic growth principles of the Metabolist movement and the transformational geometric language of digital Metaballs, Meta-Bench forms an experiential seating system which individuals can move and adjust.
The CART live/work housing prototype adds a vertical profile to downtown while converting an underutilized public path into an urban gesture by introducing of a specialized food cart zone in New Haven. The CART residents would rent and appropriate the moving space as a means of expanding their zone.
Space has become redundant again. Popular culture is uninterested in the goings-on in space. Once achieved, mans absurd relation with space becomes yesterdays news. To become relevant to the public, CASIS must be an amenity and not a mission. Instead of promoting an HQ, make it a public interface.

OTHER RESEARCH