DIMS
—
—
Dimensions.com
Dimensions Fixtures 2D

Dimensions.com

Scaled group of 2D fixtures drawn for the dimensions.com databaseScaled group of 2D fixtures drawn for the dimensions.com databaseScaled group of 2D fixtures drawn for the dimensions.com databaseScaled group of 2D fixtures drawn for the dimensions.com database
Scaled group of 2D fixtures drawn for the dimensions.com database

Scaled group of 2D fixtures drawn for the dimensions.com database

Scaled group of 2D fixtures drawn for the dimensions.com database

Elevations

Plans

Digital

Web

RELATED RESEARCH IMAGES

RELATED PROJECT IMAGES

Collection of 2D drawings of assorted animals from dimensions.comCollection of 2D drawings of assorted animals from dimensions.comCollection of 2D drawings of assorted animals from dimensions.comCollection of 2D drawings of assorted animals from dimensions.com
Series of 2D drawings of various 2D building components from dimensions.comSeries of 2D drawings of various 2D building components from dimensions.comSeries of 2D drawings of various 2D building components from dimensions.comSeries of 2D drawings of various 2D building components from dimensions.com
Collection of 3D drawings of assorted layout configurations from dimensions.comCollection of 3D drawings of assorted layout configurations from dimensions.comCollection of 3D drawings of assorted layout configurations from dimensions.comCollection of 3D drawings of assorted layout configurations from dimensions.com
Scaled group of 3D sporting topics modeled for the dimensions.com databaseScaled group of 3D sporting topics modeled for the dimensions.com databaseScaled group of 3D sporting topics modeled for the dimensions.com databaseScaled group of 3D sporting topics modeled for the dimensions.com database

OTHER PROJECTS

The YELE music studio competition, underway before the earthquake, must respond now, but plan for the future of the community. Music is relief in a time of tragedy. The goal is to meet the most basic survival needs now while leaving spaces for future growth through self sustaining phases.
The RACA project must meet two demands: A. REFLECTION (museum) or B. CONTINUATION (practice + addition). The current program and its stagnancy has left the site forgotten—it is a typical static museum on a living site. The site and addition must constantly change through the participation of people.
Utilizing built form as a strategic carrier of culture in opposition of the status quo, the Hellinikon project links the disconnected suburban mountain communities to the east with the sea to the west while splitting the Hellinikon International Airport and Olympic Park into distinct zones.
QTCT is tasked to blend these two identities onto one site—a give and take relationship between beach ambitions and urban necessities. QTCT is a sampling of two worlds: on one hand it is the embodiment of the language of the beach and on the other it is a detailed and exacting built urban space.
Seating design is vital in fostering communal interactions in shared spaces. Rooted in the organic growth principles of the Metabolist movement and the transformational geometric language of digital Metaballs, Meta-Bench forms an experiential seating system which individuals can move and adjust.
The Craft School is a participatory design and construction initiative that places students at the center of creating their own learning environment. It recognizes that education is not only about what happens inside the classroom, but also how the classroom comes to be.
Space has become redundant again. Popular culture is uninterested in the goings-on in space. Once achieved, mans absurd relation with space becomes yesterdays news. To become relevant to the public, CASIS must be an amenity and not a mission. Instead of promoting an HQ, make it a public interface.
In Tempe there are two pedestrian axes: Mill Avenue and Palm Walk. Mill Avenue is successful and Palm Walk is not. Is there a way to make the palm trees useful to the students? The PEP structure is powered by buried hydraulic pressure systems giving vertical movement to the layer/palm interface.

OTHER RESEARCH