YELE
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Disaster Relief Studio
Program Massing Studies

Disaster Relief Studio

Series of massing studies for how to arrange the two studio spaces and the recording booths on the site for the YELE studiosSeries of massing studies for how to arrange the two studio spaces and the recording booths on the site for the YELE studiosSeries of massing studies for how to arrange the two studio spaces and the recording booths on the site for the YELE studiosSeries of massing studies for how to arrange the two studio spaces and the recording booths on the site for the YELE studios
Series of massing studies for how to arrange the two studio spaces and the recording booths on the site for the YELE studios

The pursuit of the most efficient combination of studio spaces resulted in a mass of program along the park edge.

Series of massing studies for how to arrange the two studio spaces and the recording booths on the site for the YELE studios

Animations

Diagrams

Isometrics

Institutional

Studies

RELATED RESEARCH IMAGES

RELATED PROJECT IMAGES

Perspective of the final phase 3 large YELE recording studio to service a large group of peoplePerspective of the final phase 3 large YELE recording studio to service a large group of peoplePerspective of the final phase 3 large YELE recording studio to service a large group of peoplePerspective of the final phase 3 large YELE recording studio to service a large group of people

OTHER PROJECTS

Infrastructure as urban performance. Serving as both a backdrop to elegant theatrical dances and a framework for holding a wandering public, the Dance Machine enacts performance through both its program and its existence as a merged urban extension of the Queensboro Bridge.
The YELE music studio competition, underway before the earthquake, must respond now, but plan for the future of the community. Music is relief in a time of tragedy. The goal is to meet the most basic survival needs now while leaving spaces for future growth through self sustaining phases.
The RACA project must meet two demands: A. REFLECTION (museum) or B. CONTINUATION (practice + addition). The current program and its stagnancy has left the site forgotten—it is a typical static museum on a living site. The site and addition must constantly change through the participation of people.
The Butterfly Theater is a living pavilion—part sculpture, part habitat, part playground. It takes inspiration from the elegance of flamingos and the presence of butterflies in Miami Beach, transforming the park’s open center into a place of movement, color, and quiet spectacle.
The challenge of creating a pair of studio apartments that can fill a lifted 16'x16' void necessitates the creation of a quick, mobile, and opportunistic building system that can react to the found conditions of the site. Access to the site is limited and the ground must be free.
Planes, frames, and volumes are fundamentals to all assembly logics. With the proliferation of additive production methods, the possibility of volumetric prefabricated components has the potential to radically alter the way that we conceive of construction and the permanence of building parts.
Coney Island will remain a MUTANT appendage at the farthest shore of New York City. Coney is an agglomeration of all of its histories and should continue to simultaneously move each agenda forward. Coney will continue to evolve through mutations— this vision will accelerate its hybridity.
University Island is a swirling shapeshifter, in both the landscape and the architecture, that offers it’s undefined field of opportunities to the students and anticipates that each will discover and produce their own individual relationship with the island and their education.

OTHER RESEARCH