YELE
—
—
Disaster Relief Studio
Phase 2: Plan & Massing

Disaster Relief Studio

Plan and massing drawings of Phase 2 of YELE including the first studio, recording booth, and reception areaPlan and massing drawings of Phase 2 of YELE including the first studio, recording booth, and reception areaPlan and massing drawings of Phase 2 of YELE including the first studio, recording booth, and reception areaPlan and massing drawings of Phase 2 of YELE including the first studio, recording booth, and reception area
Plan and massing drawings of Phase 2 of YELE including the first studio, recording booth, and reception area

PHASE 2: PROGRAM: In the void spaces, used for years in early relief efforts, the music program will begin to take shape.

Plan and massing drawings of Phase 2 of YELE including the first studio, recording booth, and reception area

Diagrams

Isometrics

Plans

Urbanism

Competitions

Institutional

RELATED RESEARCH IMAGES

RELATED PROJECT IMAGES

Section perspective showing the exterior public space above the private recording studios and radio center deckSection perspective showing the exterior public space above the private recording studios and radio center deckSection perspective showing the exterior public space above the private recording studios and radio center deckSection perspective showing the exterior public space above the private recording studios and radio center deck

OTHER PROJECTS

The GBN project sites itself as this link connecting the busiest night life district and revitalized neighborhood park in the north, the largest beach front in the city to the south, and establishes the cities first large public plaza and recreation fields adjacent to the new building.
The YELE music studio competition, underway before the earthquake, must respond now, but plan for the future of the community. Music is relief in a time of tragedy. The goal is to meet the most basic survival needs now while leaving spaces for future growth through self sustaining phases.
The Urban Test Object (UTO) serves as a large-scale intervention that accelerates our relationship with the future city. Rather than solving issues like density, infrastructure, or access, the UTO heightens awareness of the rapid urban transformations shaping our future.
The Butterfly Theater is a living pavilion—part sculpture, part habitat, part playground. It takes inspiration from the elegance of flamingos and the presence of butterflies in Miami Beach, transforming the park’s open center into a place of movement, color, and quiet spectacle.
In Tempe there are two pedestrian axes: Mill Avenue and Palm Walk. Mill Avenue is successful and Palm Walk is not. Is there a way to make the palm trees useful to the students? The PEP structure is powered by buried hydraulic pressure systems giving vertical movement to the layer/palm interface.
Infrastructure as urban performance. Serving as both a backdrop to elegant theatrical dances and a framework for holding a wandering public, the Dance Machine enacts performance through both its program and its existence as a merged urban extension of the Queensboro Bridge.
Space has become redundant again. Popular culture is uninterested in the goings-on in space. Once achieved, mans absurd relation with space becomes yesterdays news. To become relevant to the public, CASIS must be an amenity and not a mission. Instead of promoting an HQ, make it a public interface.
Planes, frames, and volumes are fundamentals to all assembly logics. With the proliferation of additive production methods, the possibility of volumetric prefabricated components has the potential to radically alter the way that we conceive of construction and the permanence of building parts.

OTHER RESEARCH