ReDesign.School Interview
—
—
ReDesign.School Interview

Graphic header for Arizona State University's ReDesign.School interview conversations around the future of design educationGraphic header for Arizona State University's ReDesign.School interview conversations around the future of design educationGraphic header for Arizona State University's ReDesign.School interview conversations around the future of design educationGraphic header for Arizona State University's ReDesign.School interview conversations around the future of design education
Graphic header for Arizona State University's ReDesign.School interview conversations around the future of design education

In 2018, FO Director Bryan Maddock was invited to take part in an interview around rethinking design education through Arizona State University's ReDesign.School program.

Graphic header for Arizona State University's ReDesign.School interview conversations around the future of design education

Announcement

Interviews

Academia

Teaching

RELATED RESEARCH IMAGES

RELATED PROJECT IMAGES

OTHER PROJECTS

The challenge of creating a pair of studio apartments that can fill a lifted 16'x16' void necessitates the creation of a quick, mobile, and opportunistic building system that can react to the found conditions of the site. Access to the site is limited and the ground must be free.
The YELE music studio competition, underway before the earthquake, must respond now, but plan for the future of the community. Music is relief in a time of tragedy. The goal is to meet the most basic survival needs now while leaving spaces for future growth through self sustaining phases.
Infrastructure as urban performance. Serving as both a backdrop to elegant theatrical dances and a framework for holding a wandering public, the Dance Machine enacts performance through both its program and its existence as a merged urban extension of the Queensboro Bridge.
Planes, frames, and volumes are fundamentals to all assembly logics. With the proliferation of additive production methods, the possibility of volumetric prefabricated components has the potential to radically alter the way that we conceive of construction and the permanence of building parts.
In Tempe there are two pedestrian axes: Mill Avenue and Palm Walk. Mill Avenue is successful and Palm Walk is not. Is there a way to make the palm trees useful to the students? The PEP structure is powered by buried hydraulic pressure systems giving vertical movement to the layer/palm interface.
The RACA project must meet two demands: A. REFLECTION (museum) or B. CONTINUATION (practice + addition). The current program and its stagnancy has left the site forgotten—it is a typical static museum on a living site. The site and addition must constantly change through the participation of people.
The CART live/work housing prototype adds a vertical profile to downtown while converting an underutilized public path into an urban gesture by introducing of a specialized food cart zone in New Haven. The CART residents would rent and appropriate the moving space as a means of expanding their zone.
Utilizing built form as a strategic carrier of culture in opposition of the status quo, the Hellinikon project links the disconnected suburban mountain communities to the east with the sea to the west while splitting the Hellinikon International Airport and Olympic Park into distinct zones.

OTHER RESEARCH